Bass to MIDI, note by note.
Get the bassline of any song as MIDI: the right octave, real note lengths and the song’s tempo, ready for your own bass sound.
Get the bassline of any song as MIDI: the right octave, real note lengths and the song’s tempo, ready for your own bass sound.
Any bassline as MIDI, in the right octave. Free.
To pull the bass out of a mix, choose Full mix. A bass recorded alone: One instrument, then Bass.
A DI bass, a miked amp or a synth bass. The less reverb on it, the cleaner each note starts.
Drop it on a synth or bass instrument and pick your own sound.
A low note’s overtones, an octave and an octave and a fifth up, are often louder than the note itself. Each note is checked against them to pick the right one.
A bass plays one note at a time, so each note stops where the next begins: no overlaps to clean up. Double stops struck together stay together.
Kick drum thumps that leak into the bass are taken out, so they don’t turn into stray notes.
Because a low string’s first overtone can be louder than its fundamental. Midium compares each note with its overtones before it settles on the octave.
Yes. Each note starts on the song’s 16th-note grid from bar 1, the same grid the drums are written on.
Yes. Both work; clear, steady basslines give the cleanest MIDI.
Not yet. You get MIDI and notation (MusicXML), which most tab apps can import.

Upload an MP3 or WAV. MIDI, sheet music and stems, from one track.